Al-Andalus Museum

A museum to
understand
what connects us.

Ideas grow as they travel and meet different ways of thinking. Al-Andalus invites us to discover what we can achieve when we learn from one another. A living museum that brings people closer.

An invitation to countries and institutions

A contribution to the world.
Your country can make it possible.

Al-Andalus Museum proposes connecting two shores through an institution dedicated to discovering how knowledge grows when people learn from one another. For its host countries, an opportunity to make their commitment to education, openness and cultural cooperation tangible.

The museum will belong to your country: the host funds, owns and operates it. Its initiators, Rafael Dávila and Olga Gómez, contribute the idea and support its founding stage.

Explore your country’s roleWhat the museum could contribute to your country

01 / A museum for our time

Knowing others.
Expanding what is possible.

A country can create places where people from different generations and backgrounds learn from one another.

A cultural institution for recognising other contributions, connecting knowledge and creating together. Documented stories and immersive experiences in the service of better relationships between people.

Two shores.
Much to share.

A presence in Iberia and the Maghreb and another in the Arab East. A shared mission, with initiative from both places and programmes connecting their institutions and audiences.

01Iberia and the Maghreb

02The Levant and the Arabian Peninsula

Mediterranean

Knowledge in both directions

  • Exhibitions
  • Education
  • Research

Proposed areas of cooperation. Lines are symbolic; countries and sites remain to be agreed.

Words that open a conversation

Two perspectives on Al-Andalus and a joint declaration on human fraternity. Quotations from primary sources, included as cultural references.

On Córdoba

Charles III

Prince of Wales at the time of the speech

«Cordoba in the 10th century was by far the most civilised city of Europe.»

Oxford · 27 October 1993

Islam and the West · Oxford Centre for Islamic Studies · PDF p. 7

Read the original text Excerpt from the original

On the transmission of learning

Leo XIV

Pope of the Catholic Church

«Cities such as Córdoba and Toledo became places of mediation between languages, religions and forms of knowledge.»

Madrid · 6 June 2026

Meeting with the authorities · Royal Palace of Madrid

Read the original text Translation of an excerpt from the Spanish original

On human fraternity

Francis

Pope of the Catholic Church at the time of signing

Ahmad Al-Tayyeb

Grand Imam of Al-Azhar

«The pluralism and the diversity of religions, colour, sex, race and language are willed by God in His wisdom […]»

Abu Dhabi · 4 February 2019

Document on Human Fraternity · joint declaration

Read the original text Excerpt from the official English version

03 / Why Al-Andalus

Ideas travel.
Knowledge grows.

Al-Andalus took part in a network of knowledge connecting the Mediterranean, the Islamic world and Latin Europe. It received, debated and transformed knowledge, producing works that others went on to study.

The Muslim presence and its contributions are part of European history. In Al-Andalus, Muslims, Jews and Christians participated in intellectual life in different ways. The conflicts and inequalities of that world existed alongside episodes of exchange that deserve to be understood.

Explore the stories and their sources

Dioscorides · Translating and comparing

A Greek text about plants, translated into Arabic in Baghdad, raised new questions in tenth-century Córdoba. Comparing words, images and plants helped scholars interpret it.

Explore the case and its sources

Averroes · Reading and reinterpreting

His commentaries on Aristotle circulated in Latin translation and informed philosophical and university debates. A reading developed in another context became a contribution in its own right.

Read the source · BnF

These cases show different paths and moments separated by centuries. Knowledge travelled through many channels: Al-Andalus was one of its places of encounter and creation.

04 / What its audiences would experience

A visit that opens
new ways of seeing.

Four experiences to recognise other lives, share knowledge and discover the value of cooperation. A cultural contribution that your audiences can experience.

Generated concept visualisations

A mother and daughter share a moment while watching a projection about a craft. A proposed experience, not a photograph of an existing museum.
01 / Recognise

01 / Recognise

Behind a label,
a life.

Stories of people who learned, worked and created in Al-Andalus. An immersive room invites audiences to recognise the people behind the labels.

The intended learning
Recognising the people behind a cultural or religious category.
Participation and how it works
How people participate
Visitors choose which stories to approach and where to pause.
How the space responds
Their presence activates a visual layer and localised audio while the shared narrative continues.

A continuous audiovisual narrative, presence zones and localised sound. Cases will be documented and dramatisations identified as such.

Proposed immersive gallery with botanical projections, independent comparison tables and visitors participating or observing.
02 / Share
Two visitors compare images and descriptions of plants at a table in the Sharing experience.
Compare. Discuss. Discover.

02 / Share

Nobody starts
from nothing.

Córdoba, tenth century. Work on Dioscorides invites audiences to compare words, images and plants: different contributions open new questions.

The intended learning
Valuing other contributions and recognising the limits of a single perspective.
Participation and how it works
How people participate
Participants compare a description, an image and a linguistic context.
How the space responds
Each layer adds a clue; the response explains its contribution and the questions that remain.

Independent tables and a continuous audiovisual story. Sources and species will be reviewed with specialists. Participation is optional; the journey does not depend on completing the interaction.

Discover the experience in detail
Several people operate controls around a dry model with projected water channels and crops, while others watch.
03 / Live together

03 / Live together

Understand others.
Share better.

Sharing water changes what happens in a common landscape. An interactive model explores other people’s needs and the value of agreement.

The intended learning
Understanding that sharing a resource also means considering other needs.

One resource.
Two needs.

More water here means less there. Finding a balance means considering both needs.

Crop A50%
Crop B50%

Illustrative allocation model; it does not represent actual water requirements.

Participation and how it works
How people participate
Participants try an allocation and coordinate it with other people’s decisions.
How the space responds
Projected channels and crops on the model show the effects.

A dry landscape model, distributed controls and projection mapping. An educational model inspired by documented techniques; its rules will be explained to visitors.

04 / Build

Create together.
Discover what connects us.

Shapes, colours and lines meet in a work of light. Different contributions come together in a shared creation.

Concept immersive gallery with projection arches, translucent scrims and a composition of light interweaving different visitor contributions.
04 / Build
The intended learning
Experiencing how different abilities and perspectives can contribute to a shared work.
Participation and how it works
How people participate
Each participant chooses a contribution and places it on a participation table.
How the space responds
The shared image incorporates different contributions and makes their relationships visible.

Sensor-recognised pieces and projection onto surfaces and translucent scrims. Distributed, optional participation. A contemporary creation about cooperation, not a reconstruction of the past.

From encounters to architecture

An idea.
A place to belong.

A museum where discovery, conversation and learning are part of the same journey.

Conceptual museum interior drawn in white lines on blue: a large courtyard with olive trees, arched galleries, exhibition rooms and people exploring the spaces.
Conceptual blueprint · Architecture to be developedView the full image
  1. Galleries that spark questions

    Knowledge is discovered together.

  2. A courtyard that brings us together

    Making room for encounters.

  3. Spaces to keep learning

    The conversation continues beyond the visit.

Architecture shaped around people

Explore the visitor journey

05 / Designed to welcome different audiences

Different ways to participate.
A shared journey.

Welcoming diverse audiences means considering circulation alongside content. The proposal combines simultaneous participation, observation and pauses, with access options to be tested with users. Site studies and prototypes will determine capacity and operations.

EnterExplore
ParticipateGo deeper
Continue

Proposed operating concept

01

Participate together

Shared environments and independent stations support parallel activity, without a single controller for the whole gallery.

02

Choose the depth

The main story makes sense as you move through it. Further explorations enrich the visit without becoming mandatory steps.

03

Respect each person’s pace

The proposal includes pauses, reading and listening, alternatives to intense stimuli and different ways to participate.

From a concept to a working visitor journey

We will test interaction times, group arrivals, waiting, accessibility and responses to technical issues. Capacity and operating resources will be established through prototypes and venue studies. The images express an intended experience; they do not demonstrate an approved capacity or a completed installation.

06 / From ambition to experience

Inspire wonder.
Build understanding.

For a host institution, cultural ambition needs a clear development process. Research, design and testing with audiences will help assess learning, participation and operational needs before adapting the museum to a site.

Generated concept visual

01

Research

Select cases, compare sources and distinguish documentation from interpretation.

02

Design

Define what visitors do, what changes and what they understand, alongside circulation and accessibility.

03

Test

Build prototypes with visitors. Observe understanding, participation, waiting and assistance needs.

04

Develop

Refine content, technology and operation before adapting the whole to a venue.

References informing the design

A contemporary language.
A purpose of our own.

We study international formats to learn from their interaction, storytelling and operation. The project applies that research to a specific mission: discovering the value of learning with others.

Research references.

07 / Museum · School · Forum

The visit ends.
The relationship continues.

Museum, School and Forum propose an ongoing relationship with the country: researching and transmitting heritage, supporting its educational institutions and opening cooperation with others.

Museum

Research and invite discovery

The museum proposes documenting histories, knowledge and tangible and intangible heritage, and turning that research into accessible experiences. Sources, identified reproductions and digital archives will underpin the narrative.

Explore the journey

School

Learn before, during and after

The School proposes developing resources with local teachers and educational institutions. The visit becomes part of a process that starts in the classroom and continues on return.

Explore the educational proposal

Forum

Sustain the dialogue

The Forum proposes bringing research, creativity and society together around questions shared by both shores. Encounters can inform new content and subsequent collaborations.

Explore the programmes
How heritage is studied and shared

Heritage to research and pass on.

The proposal includes researching sources, documenting living knowledge with its practitioners, organising authorised digital materials and preparing interpretation resources. This work will sustain the museum beyond each exhibition and develop with participating institutions and communities.

Two shores · An invitation

A place to meet.
A project your country can help shape.

Make possible an institution that brings people closer, connects knowledge and sustains relationships across cultures.

Conceptual museum atrium with diverse visitors, a courtyard for meeting and a space for reading and collaboration.
Generated conceptual visualisation

Explore what your country can contribute.

A first conversation about your cultural priorities, your audiences and the role you could play.